The front block of the museum building dates back to 1887. It features an elegant neo-Palladian design, a European style of architecture characterised by a highly symmetrical façade and the use of pediments above windows.
Step into the newly refreshed Goh Seng Choo gallery and explore the world of magic and supernatural beliefs as practised by traditional Southeast Asian societies.
Experience the treasured collection of the National Museum brought to life through a spectacular digital presentation, and be transported to 20th century Malaya as viewed through the eyes of artists of that time and reimagined today by interdisciplinary art collective teamLab.
Set against the larger historical context of Singapore’s early years as a young nation, this gallery offers the parallel societal changes in the tumultuous 1950s and 1960s through the kampung, school and entertainment venues.
This gallery shines the spotlight on how the people of Singapore coped with daily life and responded with grit and resourcefulness to the Japanese Occupation, a period of great adversity and abject scarcity. It celebrates their resilience, tenacity, resourcefulness and self-reliance.
Gallery10 is an experimental space where the traditionally binary ideas of art and science are both celebrated and deconstructed, and their boundaries transcended and redefined to present an immersive, multi-disciplinary exploration of the world around us.
This mural was painted over four days in a style inspired by the 19th-century landscape paintings held by the National Museum of Singapore (NMS), and presents the Museum’s rich history and collection.
By the end of the 19th century, Singapore was already a global city brought about by an influx of people, ideas and goods from Asia and Europe. This gallery explores the cosmopolitan nature of Singapore as a British Crown colony from the late 1920s to 1930s.
The Singapore History Gallery’s updated narrative charts the development of the island as it was known through the years as Singapura, a Crown Colony, Syonan-To, and finally, Singapore.
Created by renowned local photographer and artist Robert Zhao, this exhibit at the bottom of the Glass Rotunda showcases 17 images of trees around Singapore and highlight intimate stories of each.
Through cultural artefacts including music, performances, television and theatre, this gallery explores how Singaporeans constructed a complex terrain of self-expression in the 1970s and 80s.
Wings of a Rich Manoeuvre by homegrown artist Suzann Victor presents a chorus of eight kinetic chandeliers that “sing” with movement as they sway in a dramatic midair choreography of light.